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Obvious angles are often sidelined in favour of far more inventive camerawork that enhances, rather than distracts, from the frenzied horror that unfolds. It helps too that the direction is dynamic and exhilarating throughout thanks to stellar work from Lee Jae-kyoo and Kim Nam-su. Netflix's Hellbound deserves to be next Korean hitĪnd just when you might think that the pace is shuffling along a tad too slow, a new twist comes along just before the midway point to infect you all over again and kick things up a notch. While All of Us Are Dead doesn't feature the sex and controversy that typifies American teen shows like Euphoria, the dynamics explored here are certainly reminiscent of shows in that vein, particularly when it comes to the ins and outs of school politics. Whether they withdraw entirely, like Choi Nam-ra, or take their anger out on others, like Yoon Gwi-nam, the students already exist in a terrifying pressure cooker that often dehumanises young people who just need a break. The demand to excel, especially when it comes to those all-consuming university entrance exams, means that the characters in this show are already struggling long before the zombies show up. School isn't easy anywhere, but Korean high school is a particularly pressurised environment for students and teachers alike. In this case, the high-school setting enables All of Us Are Dead to tackle the pressures of high school, but in a far more specific way than Western viewers might be used to. Kingdom prequel just did what Walking Dead won't